City of Light

Seine River with a view of Notre Dame, by Mason Hayek

Paris, city of light, of enlightenment and illumination: When I was in Paris one winter many years ago, the sky was blue for only a day. The streets were still dark at eight in the morning, and dusk arrived by late afternoon. Yet no other city shares the blazing aura of the Champs-Élysées, the Arc de Triomphe and Louvre, the Eiffel Tower and Champ de Mars, the bouquinistes along the Seine, the Pont Neuf and Cathédrale Notre Dame de Paris as it was and may be again, and the Left Bank’s intimate intensity. At night in the Latin Quarter, jazz drifted out onto the cobblestones; the melodious cacophony of horns in tiny cars made a counterpoint to the music, and the distinctive smell of the smoke from Gauloises cigarettes hung over the sidewalks. I vividly recall such details, but what I hold in my mind above all is the feeling of Paris as its chilly, damp, enticing air transfused my spirit and my senses.

When my roommate Margaret and I and two-dozen other University of Delaware students arrive in Paris from Luxemburg on December 30, the train stops in the Gare de l’Est, where a guitarist is singing an angst-filled song that says to me, “You are in Paris, city of philosophy, beauty, and romance.” On the Métro-station wall hangs an enormous poster of a young man wearing only red bikini briefs and standing among flowers outside a house. The caption urges, “Jardinez votre matin,” “Make a garden of your morning.” Just after midnight, our group emerges from the subway to find ourselves outside l’église de Saint-Germain-des-Prés, the oldest church in Paris. By twos and fours, we separate for our tiny Latin Quarter hotels.

For our first two weeks in Paris, Margaret and I stay in the Grand Hôtel des Deux Continents, which isn’t grand at all in size. Our room provides two twin beds, along with a sink and a bidet. We bathe in the former and ignore the latter. A shower elsewhere in the hotel is available for a few extra centimes, beyond the $3.60 in francs that we each pay per night for the room and breakfast. Our room is on the third floor. Pushing the minuterie illuminates the stairs and hallways long enough for us to reach our door. The WC is one floor below us and supplies toilet paper that is slightly softer than a paper bag.

Rue Jacob, the site of our hotel, in more recent years, photograph by Par Mbzt — Travail personnel, CC BY 3.0, from Wikimedia Commons

Each morning we drink café au lait and eat croissants for our petit déjeûner in the little nook behind the lobby. The milk and coffee arrive in separate small pitchers, and we mix equal parts of the hot liquids in our heavy white cups. Many evenings, Margaret and I eat dinner in our room: Port Salut cheese and red wine from one of the nearby outdoor markets operating even in the winter. Before falling asleep, I write about the day in the best French I can manage. I will earn three credits for taking this trip and recording my impressions.

Our first Parisian morning is the only clear day we will find in the city. Along the Champs Elysées, the Christmas ornaments—gold metal spangles the size of six-inch rulers—hang from tree branches. The spangles chime in the wind and glitter in the sunshine. Women with children, children alone, young couples, and dogs fill the Tuileries Garden. In spite of the cold, a little boy sails his toy boat on a garden pond. We will visit the nearby Louvre another day. Inside the museum, a Japanese man will ask to take a picture of me standing next to the Mona Lisa. I will tell him no but later wish I could imagine a picture of Mona and me existing somewhere in Japan.

Saint-Germain-des- Prés, photograph by DXR – Own work, CC BY-SA 3.0, from Wikimedia Commons

Margaret and I spend New Year’s Eve listening to two singers in a small folk-music club within the shadow of l’église de Saint-Germain-des-Prés and the café des Deux Magots. Les Deux Magots is above all for tourists now, but I imagine the café air resonating with the conversations and inspiration of Simone de Beauvoir, Jean-Paul Sartre, Ernest Hemingway, Albert Camus, Pablo Picasso, and James Joyce, who, like Margaret and me, dreamed and drank coffee within its walls.

Two nights after New Year’s Eve, Maurice, a young Frenchman who is spending the academic year at the University of Delaware and who has returned to Paris with our university-sponsored trip, hosts a party at his parents’ elegant apartment near the Eiffel Tower. We jeunes filles whose Delaware dormitory is la Maison Française know Maurice well. He is friendly and quite beautiful. Back on campus, he and I eat breakfast together in the Caesar Rodney Dining Hall on many mornings, but we only go out once—to a dance where he is more interested in some of the other girls than in me.

At Maurice’s Paris party, I admire the French couples dancing what looks like a smooth and sophisticated jitterbug. While the French young people dance and we Americans look on, Herman’s Hermits incongruously sing about Mrs. Brown’s lovely daughter and John Denver tells of his mountain mama in West Virginia.

 I am a little in love with Maurice, but at the party I meet his cousin Philippe—known as Petit Philippe. His wild yellow hair bushes out like a dandelion gone to seed, and his large red bowtie clashes with the reserve of his white dinner jacket. I think he’s cute—and anyway, he’s French and charming. We drink champagne and eat macaroons, dance the slow numbers, chat, and then go out to his gray Citroën Deux Chevaux for a quieter, getting-to-know-you conversation. The car’s canvas seats resemble beach chairs.

All the other guests have left by the time we return inside, but we stay to talk with Maurice’s parents before Petit Philippe drives me to my hotel. On our block, he heads the wrong way down the one-way street and parks with the left wheels on the sidewalk. Margaret doesn’t—or won’t—wake up to let me in, so the elderly little man from the front desk fiddles with his collection of keys until he finds the one to open our door.

Théâtre National de l’Odéon, photograph by Daniel Vorndran / DXR, CC BY-SA 3.0, from Wikimedia Commons

Philippe invites me to an evening with his friends. After watching the play Le testament du chien—The Testament of a Dog—from an orchestra box at the Théâtre National de l’Odéon, we arrive for a dinner of rice salad and cheese at the apartment of one of the girls. A window in the apartment is open; I wouldn’t be any colder if we were eating outside. Waves of conversation crash over me, and I drown in the sounds.

On another night, Philippe takes me to his ski club in Pigalle, near Sacré-Coeur—invisible in the fog. I drink wine and talk and dance a little with Philippe and a few other charming young men. Afterward, we drive to Philippe’s university, near Versailles. For a few moments on the way, we become a star in the Arc de Triomphe’s spinning galaxy of car lights.

At the university, Petit Philippe and I visit a classmate of his who is drinking cognac from the bottle and, miraculously, also studying. At one point, I start to follow Philippe out of the room, not realizing he is heading to the lavatory. Then I imagine he is angry with me, and so I cry a little. “Tu es trop serieuse,” he says: “You are too serious.”

The following day, our university group’s excursion to Versailles begins in the Gare St. Lazare. Inside the palace, our guide is a tiny woman in a fur coat. She speaks as if she’s never before had the chance to talk about these beautiful rooms she loves so dearly. Outdoors, the gardens are in winter hibernation and the fountains are dry, but in the courtyard once crowded with those whom Marie Antoinette, we are told, would have had eat cake, a man laden with baguettes rides by on a bicycle.

Château de Chenonceau, photograph by Taxiarchos228, CC BY-SA 3.0, from Wikimedia Commons

For a few of us from Delaware, Maurice leads a four-day excursion to the Loire Valley and teases me throughout about Petit Philippe. We visit the castles of Chaumont, Amboise, and Chenonceau and walk through pretty villages. The entire town of Blois smells like chocolate. From the road back to Paris, I glimpse Chartres Cathedral seeming to rise out of the open fields, just as in my high-school art teacher’s slides. That evening Margaret and I leave for four days in Marseille.

After returning to Paris, we check into the Grand Hôtel des Etrangers, which the poets Verlaine and Rimbaud knew a century earlier. For Margaret and me, the cost is about two dollars a night; the light in our room doesn’t work. The next evening, Petit Philippe somehow finds me at les Deux Magots. We end up talking all night.

Margaret has already left by the time I run up to our room to throw my things into my suitcase. Philippe and I find croissants and café au lait across the street and then walk to the Odéon Métro for our au revoir. I ride a nearly empty Métro train to the Gare de l’Est. There the other Delaware students and I soon board the train to Luxembourg and our Icelandic Airlines flight home.

Back in Delaware, I receive one letter from Philippe. He writes that he thinks he still loves me. When I become engaged to Sam a year later, I throw away Philippe’s letter.

But I do not need a letter to remember Paris, and Petit Philippe is only a few scenes within the larger memory. Now when I dream of Paris, I am walking along cobblestone streets on a foggy evening under the hazy light of street lamps. Surrounding me are clubs from which music spills into the street, Gothic cathedrals and buzzing mopeds, the elegant Paris Opéra and legendary Sorbonne, the Parisians’ courtyards and balconies, and the beckoning bright havens that are shops, restaurants, and cafés. And yes, sometimes I am whirling around the brilliantly lighted Arc de Triomphe in a battered Deux Chevaux.

A Little Before

About the time a bat was emerging from its cave to change the world by sharing with humans its coronavirus, I attended an Andrea Bocelli concert in Madison Square Garden with about 20,000 other Bocelli fans.  That morning, two friends, Rosa and Ruth, and I had taken a packed Acela train from Philadelphia to New York’s Penn Station.

Ruth quieted me as I muttered about the circuitous route the taxi driver was taking toward my favorite New York lunch spot—Indie Food and Wine, at Lincoln Center.  After lunch, we shopped in the Metropolitan Opera’s gift shop, where I found the red “Metropolitan Opera Diva” tote bag I had in mind.  I barely managed to stop myself, for the sake of my budget, from seeing if a ticket remained for Andrea’s February 2020 Met recital (since postponed twice).

At St. Patrick’s Cathedral, I bought Christmas gifts in the tiny, teeming gift shop, and we mingled with the other tourists bottling holy water and taking pictures next to the life-size creche.  Other tourists offered us, “Do you want me to take your picture?”  “Oh yes please—thanks!”

We oohed over the Saks Christmas lights, joined the crowd admiring the Rockefeller Center Christmas tree, and watched the skaters.  Exceedingly extroverted Ruth chatted with an equally uninhibited young man selling jewelry outside for a nearby shop.  She introduced him to me as if he’d been an old friend.

Ruth, Rosa, and I were cold and a little hungry by then and so stopped for an early supper at a less-than-inspiring TGI Fridays, where Ruth told the host that he looked like Eddie Murphy.  Pleased by Ruth’s warmth and ways, he joked that he’d take us (clearly seniors) to the section where the “young people sit.”

After Ruth bought a knit cap from a street vender to ward off the intensifying chill, we turned onto 45th Street to head over to Seventh Avenue, figuring it was time to start back toward Madison Square Garden, where our concert would begin at 7:30.  I was cold, too, but refused to buy a hat since I didn’t want hat hair.  By the time we arrived at MSG, hat hair would have been a great improvement over the state of my locks.

Part way along the block on 45th Street, Rosa said, “It’s snowing!”  The day had started out sunny, with no forecast of inclement weather.  “It’s your fault,” she said to me, teasing.  Rosa and I had driven to New York in February 2019 to hear Andrea at the Met, and we’d driven in heavy snow during the second half of our late-night trip home.

By the time Rosa, Ruth, and I turned south on Seventh Avenue, the snow squall was underway in full fury.  Rosa’s phone squawked a warning (a bit late) about an impending snow squall, and the next day, we watched replays of the storm on the national news.  Within five minutes, Ruth, Rosa, and I looked like lost arctic explorers who’d fallen into a snow drift.

Hordes of cold, wet people wandered along the avenue, grabbing up every cab.  Ruth and I were worried about our friend Rosa, who was gamely keeping up as we tried to locate a cab ourselves.  Ruth was considering asking for help from a police officer whose car we’d spotted nearby.  I finally prayed aloud and fervently, “God, we need a taxi!”

Zip, a taxi pulled up.  Chatty Ruth told the driver, “We were about to get the police.”

“I am a police officer,” said the driver, “but I’m retired.”

Madison Square Garden let us into the building more than an hour before our tickets said we could enter.  Eventually someone showed us a bench on which we could wait.  Rosa and I talked and rested, and Ruth exchanged recipes, gardening tips, and life stories with a woman from Hungary who sat down next to us.

Finally, we were invited into the nearby elevator, and after a walk to the correct side of the stadium, we found our seats for the concert.

I think of New York and New Yorkers now and wonder how the city I visited a little over a year ago could have transformed so rapidly and radically.  I question how the New York that Ruth, Rosa, and I visited could ever have been.  We were not oblivious to the suffering there then, too.  But that was a time of immense crowds and vibrant living for those blessed as I am.  I wonder how long it will be before the New York of swirling crowds, honking horns, and magnificent cultural arts will be able to return.  Maybe by then, the homeless people we saw in Penn Station and all the other New Yorkers who know want will find greater welcome, human warmth and dignity, and freedom from hunger, danger, and inhuman suffering.  I wish the same for everyone everywhere across our planet.

The Life-Pilgrimage Narrative

 

We have all been on a lifelong pilgrimage, a quest. Our individual quest includes magnificent scenery and valleys of despair. And sometimes we wander in the wilderness, perhaps for years or decades or most of life so far. Life itself is the pilgrimage, and whoever heard of a meaningful pilgrimage that doesn’t include some steep terrain, some danger, some relentlessly long passages, the heat and the cold, as well as peaceful, encouraging blue skies.

Embarking on a pilgrimage implies having a destination, but each person’s destination is different, and all routes and landscapes are unique. We are co-creators of our paths and of our intermediate and ultimate destinations. And our itinerary and goals continue to evolve, to surprise, to challenge, and, we hope, to welcome.

How can we move from restlessly wandering to actively co-creating and embracing our quest?  Responding to the following questions with emotions, thoughts, sentences, paragraphs, poems, essays, drawings, stories, songs (. . .) illuminates the pilgrimage narrative and moves the journey from the subconscious to the conscious, active mind, will, and spirit.

Provisions
What strengths do I bring with me on my pilgrimage?  What gaps are there in my provisions and preparation?  What provisions am I continuing to work to acquire?

Itinerary to Date
What are the main stages and stopovers for my journey so far?

Wildcat Mountain, New Hampshire, by Mason Hayek

Scenery
What are the lands and terrain through which I have traveled?  Where have I encountered storms and harsh conditions?  What are the most beautiful, thrilling scenes I have met?  How have the striking scenes of my journey molded me?  Do I want to change the scenery for the rest of my pilgrimage; if so, how?

Traveling Companions
Who are or have been my significant traveling companions for each stage of my pilgrimage?  Who among these are or have been my key advocates or my nemeses?  Who have been and are my travel guides?  What insights and understanding has each companion, including each nemesis, shown to me?

Dangers
What dangerous settings, situations (including self-created), and figurative devils—negative self-regard, for instance—have I met so far?  When and why have I fallen into a “slough of despond”[1]?  What stormy weather has blown me off my path? Where did I get lost?  How did I get back on my way?

Trail Markers
What directional, warning, or welcoming signs have I met along the way?  Have I heeded these trail markers, and what has been the result of my response or lack of response to them?

Renewal, Delights, Retreats, and Rest
Where and how, as a weary traveler, have I found repose?  Where and when have I encountered renewing joy and enthusiasm for my life voyage?  What has nourished and nourishes me on my travels?  What is my traveling music, poetry, or other creative food for the spirit?

Destination
What destination am I seeking—where am I heading on my pilgrimage?  How has my destination evolved in the course of my life journey?  How will I know when I arrive?  And then how will I live my life within this destination for the rest of my time?  How far have I come on my journey, and how far do I still need or hope to travel?  (An idea: Draw a map of where I have been and where I am going.)

Meaning
In the course of my pilgrimage, how am I honoring my life, all who came before, all who share this life with me now, and the Earth that is our home?  How is my pilgrimage realizing my possibilities to serve others and to find satisfaction in my heart and spirit?

Wishing you blessed travels. Namaste.


[1]Encountered by the main character in John Bunyan’s The Pilgrim’s Progress, 1678.

Labor Day Picnic

On Labor Day 1999, my parents and I spent most of the day on the Winterthur Museum grounds, in Wilmington, Delaware, where we lived.  We explored the large craft fair being held there, and my mother and I bought the silver-and-glass necklaces that became our most-often-worn jewelry.  I have my necklace on today.  For a late lunch, we drove a few miles up Kennett Pike to the Mendenhall Inn, which had long been one of our favorite restaurants.

My parents at a picnic on the grounds of the Wilmington, Delaware, Quaker Meetinghouse – My mother is wearing her necklace from the Winterthur craft fair.

When we returned to Winterthur, we decided to park in the lot for the visitors’ center and take a jitney back to the craft-fair area and the field where the Delaware Symphony would perform that night.  We thought we were being clever to avoid the congested parking area near the Labor Day events, where everyone else attending the outdoor activities had parked.

After a bit more craft-fair browsing, we found a spot to sit in the field near where the orchestra would perform.  Picnicking families surrounded us.  The concert was magnificent.  It concluded with the full moon rising within the exploding stars of fireworks.

The other thousands headed to their nearby cars.  We quickly learned that no more jitneys were running at that hour.  Holding hands, the three of us walked down the long, otherwise-deserted hill to our car.  We walked on and on in the moonlight, creating my favorite of all my memories from all my years.  Here is my poem about the conclusion to the day.

Labor Day Picnic

The Moon rises over the trees—
First a hint of light,
Soon a crescent,
Then a round face with familiar features
Gazing on the thousands
Assembled for glorious lesser lights
Shining to music.

Later, Jupiter repeats the Moon’s ascent,
Balancing the Moon’s placid warmth
With its sparkling intensity.

Flash, boom:
Brilliance into the dark,
Surrounding the Moon smiling through
With a mustard-yellow grin,
Then nearly white again.

Intricate smoke trails almost as beautiful as the exploding colors,
Scenes like the end of the world by asteroids,
Scenes like the beginning of the Earth:
Golden trees, flowering, branching farther,
Drifting down into the dark sky
To be joined by rising, arching, pure color and light.

It is a beautiful life,
A moment to sear into memory
When the fireworks reach across the Moon
And the children twirl their neon necklaces—
Whirling in the shadowy almost-dark;
Sky-filling chandeliers of blue, red, gold, white, and green
Suspend themselves above us;
Our night is overtaken by light:
Circles of colors, human, momentary, framing the eternal.

And then in the moonlight,
Thousands stream for their cars,
A little lost,
A little tired and cold,
Carried on brightness
Into the September night,
Until it is only the three of us,
Holding hands,
Moving on together
Into the lovely silhouettes of evening
At the end of summer.

Photograph of the stars by Mason Hayek

Question and Answer

The answer to your question is,
“Take one step and then another.”
You will find your road by walking,
Not by spinning,
Rushing one way and the other,
Losing all direction,
Resenting the opinions
Of those you ask the way.

You are a sunflower expecting to be turned,
Afraid to follow her light;
She complains she is carried about like a seed,
Although her petals are turning brown.

You measure yourself by shifting shadows
And stumble along as the Earth moves.
Seek your Inner Light,
And find your foothold there.

You fear the judgments of others,
Expecting from them
The second-rate value
You long since assigned to yourself.

You mourn for freedom,
Believing you paid it for love and acceptance.
But these are given and earned, not bought.
Freedom grows wild within.

Namaste

Together in the World

All human beings are connected—every one of us, from the saint to the terrorist, from the billionaire to the family living in a refugee camp. When untainted by the infinite distortions we humans apply in their name, our religions remind us of our bonds to one another. We share responsibility for the wellbeing of all those with whom our lives intersect, directly and indirectly. Little that we do is without consequence for others.

All creation, in fact, vibrates in harmony, and when a nightingale sings in Rome, the effect is felt in every heart, wherever we may be. While the influence of our thoughts and actions is strongest on those closest to us physically or on those closest to us emotionally and spiritually, we humans cannot help but touch one another.

We are tangibly connected, much as the starlings in an enormous flock are connected and know simultaneously when to change direction. Evidence of our literal ties is available if we don’t close our minds to the possibility. It’s not unusual for close friends and relatives to experience telepathy, with one voicing what the other has just been thinking. When someone rises to speak and breaks the silence of a Quaker Meeting for Worship, the ministry will frequently prove to be on the same subject that other individuals have been pondering silently. A person we have not heard from recently may suddenly come to mind, not long before he or she calls us unexpectedly. Entering a new place or meeting someone new, we may sense the positive or negative qualities of the surrounding energy or aura. Sometimes a dream or an image appearing during meditation will reveal something happening or soon to happen to a loved one or even to strangers.

In March 2011, on the night of the 9.0 earthquake and tsunami in Japan, my mother and I were restless and couldn’t sleep; were we sensing the turmoil and suffering on the other side of the Earth even before we heard the news? On the way to work on the morning of September 11, 2001, I felt upset for no clear reason, so much so that I almost turned around and went back home. In the office that morning, I couldn’t concentrate and found myself crying. I tried meditating but, in my mind’s eye, kept seeing a bicycle and car colliding; perhaps that is how my mind translated the morning’s reality into its own imagery. In the scene, I attempted to separate the bicycle and car, but they collided again, and then again. I gave up meditating and turned to the Internet, where I learned about the attacks. The Twin Towers had already collapsed.

Given the intertwining of our lives, how can we do better by our fellow human beings, locally and around the world? First we can recognize that what we do locally can have repercussions globally, much as a wave travels across the ocean. With this knowledge, we can do our best to love. And what is love? Love is valuing one another—all others. Love is seeing that of God in all people, even if their Inner Light is buried under hatred and evil acts. Love is respecting the Earth, whose bounty human beings have diminished through selfishness, ignorance, and neglect. Love is wanting the best for every human soul—not the biggest car, house, and salary but the best in individual growth and the expression of that soul’s unique excellence and experiences. Love is seeing that each individual is a part of the whole and, as the poet John Donne said, one person’s loss diminishes us all.

Love complements direct intervention on behalf of those who suffer. We must individually and in partnership feed the hungry, nurture the lonely, shelter the homeless, and heal the sick. But if we are not in a position to assist directly to feed, clothe, comfort, and heal, we are nevertheless helping the whole world if we practice kindness and love others genuinely and fully, if we speak up for what is right, encourage through the means available to us, lend a hand whenever we can, and find a way to do our work—whether in the home or through paid employment—in such a way that we lighten life’s spiritual and mental burdens for our loved ones and colleagues and give to society through our efforts.

The contribution does not need to feel profound, but it does need to be on the beneficial side of the ledger. If we are manufacturing weapons, why are we doing so? If our business is poisoning the land, why are we in this business? Perhaps we are, in fact, making a contribution to humankind, but we must be able to articulate it and not be kidding ourselves. It is not that all workers in less-than-exciting jobs should rush to the want ads to find more obviously meaningful employment. Instead, in most cases, we can find and develop the potential to serve within the job we have. If our work is harmful to ourselves and others, we must leave it as soon as we can without genuine risk to ourselves and our loved ones depending on us for their care and support. In our avocations, if we write, sing, paint, act, coach sports, teach literacy classes, run community fundraisers, host a book group, knit, garden—wherever our talents and interests take us without harming ourselves or others—we are exercising God’s gift of these talents and interests, and we can serve others and spread love and encouragement through them.

If you love and I love and we reach those around us so that their love grows and is shared, we will change the world. Love is shared in many ways—writing a poem, encouraging a friend, speaking up kindly but firmly in the face of unkindness and injustice, refusing to go along with behavior and attitudes that harm, building a soup kitchen, teaching children to read, creating music and art. All of these can be an expression of love if they are done with a reverence for and full sense of the unity of humanity and creation. Each of these can help to change the world. We change the world through our way of being, as well as our way of doing. Love is the answer, whatever form it takes.

Because we are connected directly and indirectly, love will spread when we love and show love. In turn, those we touch may love more deeply and therefore spread greater love. And with a thousand who love and then a million, and with all those who are touched in turn, love can become a mighty force, catching fire around the world like smoldering kindling in a hot wind, like a beneficial virus spread from person to person, from traveler to traveler, until a worldwide epidemic is declared. This is the way the human race will move forward. Those who love also seek and find a way to help those around them, to cooperate for the common good, to overcome poverty, to move past corrupt governments and past the forces of Nature that we humans have corrupted through our actions and choices.

Another way we can help those near and far is to be informed. We can learn, for instance, how the gems and the gold in our jewelry were mined. Were the conditions safe, the pay fair, and the mines free from child labor? Who picked the coffee beans and cocoa beans for our beverages and sweets, and how are these workers treated? Who sewed the seams in our clothes; who lost work and who gained work as a result, and what were the situations for all concerned?

And how are others living their lives? In my comfortable home and with my ample food and safe environment, can I rightly ignore the poverty, hunger, and other threats that at this moment endanger millions of children and adults? The last time I was in Philadelphia on a cold winter day, a homeless man was sleeping on a grate to try to capture a little bit of warmth. Can I justifiably ignore him as I settle in under my warm covers? And can I ignore the child whose parents sold her into subjugation because they could not afford to raise her? What about the families fleeing genocide and those whose lives are devastated by wars and other violence? Whether they live next door or across the globe, these are our neighbors. These men, women, and children are an extension of ourselves, as we are of them.

Too much suffering elicits only backs turned and perhaps a few prayers of thanksgiving that the plight of so many strangers is not our own. But the suffering of the man, woman, or child halfway around the world is our own suffering, too, and when we ignore him or her, we ignore part of ourselves. And so it is with the angry men and women who harm their neighbors or those perceived to be the enemy. That anger is our anger, and we must learn to quench our own if we are to stem the flow of hatred and violence in the world. Lasting change will come one person at a time, and another, and another, and another.

The message is not to lie down and let the winds of hatred or war flatten us and others around us as a tornado pulls out trees by their roots so they cannot recover. But self-defense must never drift over the line into offense, and self-defense must increasingly be without weapons and any trappings of war. If a people—if the world’s people—can learn truly to cooperate with one another, rather than competing in a mad rush for power and success however they are defined, humankind will be able to stanch evil even before it gains a foothold because we will deny those who practice it the following they need to advance. And as we act, we will act out of love, caring, and concern, knowing our own hate and revenge feed that of others.

So many ways of being are possible. There is not one right way but are infinite right ways along the path of caring and kindness. Each such way amplifies love in the world, helping to spread it where it might not have gone before. From here on throughout our years, let each of us light the lamp and show the way according to our map and journey.

Namaste

What Do You Love to Do?

“Trust in what you love, continue to do it, and it will take you where you need to go.” —Natalie Goldberg

What do you especially love to do? To share a list of the activities that give you joy is to allow a glimpse into the essence of who you are.

In this era of vast, worldwide suffering from the coronavirus, of quarantines and social distancing, some of the things we love to do must be modified. But those of us still blessed to have health for ourselves and our loved ones can remember the joys of past times, dream of joys to come, and recognize the joys still open to us, even now.

Here is some of what I love. A number of these pleasures still offer themselves to me in full measure. And all of them are possible in some version, from reading about favorite cities to attending choir practice on Zoom. My list is probably not interesting to you in itself. I hope, though, that my loves will remind you of your own, perhaps inspiring you to give them renewed places of honor in your life.

  1. Encouraging others, especially about their writing
  2. Being—simply being—with a close friend, whatever we’re doing, and working on shared projects
  3. Listening to music that reaches my soul
  4. Shopping at health-food stores
  5. Interacting with other people out and about town or in my community
  6. Writing a poem and sharing it with others
  7. Meditating inside quaint or magnificent churches
  8. Seeing art in places such as the Metropolitan Museum of Art, the Uffizi Gallery, or the Louvre or in the piazzas and churches of Rome
  9. Walking through towns and cities—especially Rome or other Italian cities and towns, Paris, New York, London, or Montreal—up one street and down another, catching glimpses of daily life and imagining how life is for the people whose activities and homes I glimpse
  10. Sitting in a café and writing in my journal, reading, and soaking up the atmosphere
  11. Reading about how other people have handled life’s challenges
  12. Finding a poem that captures what I’ve felt or would like to have said
  13. Watching wildlife of all kinds
  14. Browsing and shopping in bookstores
  15. Listening to audiobooks
  16. Learning languages and reading in French or Italian
  17. Taking and teaching classes
  18. Reading about and discussing spiritual philosophy
  19. Making schedules
  20. Traveling by train and seeing the changing scenery
  21. Attending the opera
  22. Reading novels whose characters captivate me
  23. Beading
  24. Connecting with loved ones on the other side
  25. Making a fresh start
  26. Getting outside early on a fine spring or summer morning, or taking a walk at dusk
  27. Expressing myself about strongly held opinions
  28. Making music and singing with others
  29. Dancing with a partner who dances well, or expressing myself through dance
  30. Handling challenges successfully
  31. Experiencing unspoiled Nature
  32. Looking at catalogs, especially when I could do this with my mother
  33. Hugging loved ones
  34. Translating interesting literature or articles from Italian to English
  35. Writing up an experience so that it comes alive for someone else
  36. Rearranging furniture and organizing my books and other belongings
  37. Looking at the stars on a clear night, especially when I could do this with my father, or bathing in moonlight
  38. Going to a good movie
  39. Eating with a friend at an interesting restaurant
  40. Attending retreats and Masses with my best friend and the Sisters of St. Francis

Still Becoming

Since long before I was old enough to be called a woman, I have wondered, worried, explored, analyzed, psychoanalyzed, reformed, self-chastened and chastised, groveled, and agonized about the kind of woman I am, should be, need to be, want to be.  These journeys into the deepest caves of my being, these self-forced marches through the stalactites and stalagmites of my spirit, have taken place on paper, in my dreams, in my insomnia, in my conversations with myself and those with whom I share affection.  And these journeys have gone on, and on, and on, leading me to travel one way and then another, circling back, losing myself in the dark forest of perfectionism and seeking approval, binding me with the crawling, clinging, choking vines of trying to be the girl and woman I have thought others expect me to be and I expect myself to be.  I swing, unable to reach the ground, caught, nearly unable to breathe, held fast by the terror of not measuring up.

And so I am sick unto revulsion of writing about the kind of woman I have been and find myself to be.

Okay, on the Enneagram I am a Type 2, one who loves to serve but too often flips over into serving in order to be accepted.  I am old according to most but don’t feel or act old.  I don’t even always act or feel grown.  I am proud of my degrees but feel less than those who have more degrees than I; I still think of earning a doctorate, but the goal is only partly from my love of learning.  I am single—I detest the word “spinster” because of the connotations it carries, but yet I’m known to apply these connotations to myself.  I am adventurous.  I do love learning—so much so that I expect my heaven to include universities.  I love intensely those closest to my heart.  I am still trying to figure out my purpose.  I have, including recently, been called Goodie Two Shoes, but I am meek and goodie only until I’ve absolutely had enough, and the time lapse between goodie and harpy varies.

Do you know who I really want to be?  I want to be a woman who is exactly as God intends for her to be—herself, foibles and all, and with a determination to work each day toward being herself in the best sense.  And that, of course, includes at the center finding out how she can, as herself and not merely as she wants and thinks she ought to be, be useful to others and honor her parents and creation, of which she can right this minute stop being ashamed of the part she is taking in its being and becoming.

Music, You . . .

You rekindle the light in me,
The true in me,
The one who joins all peoples of the world
In harmonies and counterpoints
To their rhythms,
Their keys and intonations,
Their passages pianissimi o veloci e fortissimi.

With you,
I am one whose consciousness expands
Beyond the seemingly solid walls of her apartment
To embrace the musicians,
The other lovers of these melodies,
These instruments and voices,
The composers
Alive or long since gone beyond.

You make me sing—
I love to sing,
And I remember playing guitars
That summer of ‘69 at the university;
One boy called his guitar Adele—
I don’t now know the boy’s name
And never saw him again,
But I recall playing Bob Dylan with him
And his Dylan-esque ways,
And I played for the adored Rick:
“No, I never got over those blue eyes.”

You ask me to remember
The creaky floors of Tower Records on South Street,
Of singing along with Pav and thinking of my love,
Of later, at Essene Natural Foods,
Singing along—more Dylan—
“But I was so much older then,”
And by then I had understood
The wisdom of growing younger as we age.

You ask me to spruce up my hair
For Zoom-on-Sunday choir practice;
The best is singing in the pews,
Floating on the alto and tenor harmonies,
The bass foundation,
The soaring descant—
I am a soprano, though I do not vocally soar,
Only inside,
But even so, my meager high notes thrill me.

You ignite the dancer in me,
And that I am,
Tap, line dancing:
Move your body and be whole
;
Once I ice skated to Galway playing Pachelbel’s Canon
And when I listen to the Canon,
I skate in my mind;
My closing spin is more secure.

With you,
I gather again
With my dearest ones who have stepped away;
We take our seats at the symphony, the opera,
And sing around the piano,
“Let the Sunshine In.”

You light my spirit
To embrace its creativity,
Remind me
Gray skies are beautiful,
I am not confined,
I am not old, just me,
It is not too late,
can still create,
Be,
Be a part of everything,
Am a part of everything,
Everyone,
All that is,
Even in virus time.

La musica è la lingua madre del mio cuore.

______________________

Notes:
“No, I never got over those blue eyes,” from “I Still Miss Someone,” by Johnny Cash and Roy Cash, Jr.
“But I was so much older then,” from “My Back Pages,” by Bob Dylan.
“Let the Sunshine In,” words by Ada J. Blenkhorn.